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I first spied guitarist Matthew Stubbs at Thomson, Georgia’s Blind Willie Blues pageant. Stubbs stood along with legendary blues harp participant Charlie Musselwhite and complemented the harmonica virtuoso’s fiddling with tasteful and suggested guitar statements. I additionally adored that he had his guitar’s pickguard emblazoned along with his final name. Cool contact.
Stubbs is one third of a fantastic blues trio known as GA-20.
once I first saw the name of the community, I immediately concept that the band’s name observed a rural stretch of Georgia two-lane blacktop. I expected the track of the neighborhood blasting from a vintage auto radio echoing via a bluesy Saturday evening.
basically, GA-20 is named after a antique Gibson guitar amplifier. Extra about this in just a little.
Matthew Stubbs, Pat Faherty, and Tim Carman make up this community, and if one watches their movies on social media, one will word the absence of a bass player.
“after we all started taking part in we decided on a lean and stripped down community, basing our sound on the Chicago Blues of Little Walter, Hound Dog Taylor, and J.B. Lenoir,” observed Stubbs.
many of the early Chicago acts had no bass player, yet their track is really no longer missing a sonic backside end. So how does GA-20 accomplish their singular sound?
the two guitarists, Stubbs and Faherty, love and play antique guitars. They use historic brands like Silvertone, concord, and Teisco. One may discover these contraptions in pawnshops, however the guitar world has caught up with these rarities, and now they are problematic to score. These older contraptions recreation fats necks and gold foil pickups and this design results in a guitar that sounds fats and sassy.
My readers should immediately comb the attics of southern homes looking for dusty guitar cases tucked in darkish corners. Treasures can also look ahead to.
When Stubbs and Faherty mix these contraptions with ancient Fender and Gibson amplifiers (hence GA-20!) the effect is sonically in contrast to any modern community available on the market these days, blues or in any other case.
Their first album, “Lonely Soul,” garnered wonderful experiences and in 2018 the Boston music Awards gave GA-20 its Blues Act of the year. What an honor for these three Boston guys to be lauded in their home base.
Southerners love the blues. We hint its heritage from agriculturally rich states in which the song grew to be the voice for the downtrodden and oppressed container employees to the musicians who migrated to Chicago afterward. Legends of the blues world have toured the south, even in less than hospitable instances. I saw Muddy Waters, Albert Lee, B.B. King, and many extra all through my college years. Don Powers, the executive director of the Blind Willie competition always brings the ultimate in blues to the east Georgia city of Thomson. GA-20 reflects and honors this culture while growing new and interesting compositions for a up to date ear. They’re definitely not a museum band.
The Covid quarantine in fact challenged the trio. After being a traveling musician for over 15 years, Stubbs discovered himself at home with a musical itch to scratch. He used the time to assemble a home studio. The three composed new songs and elegantly recorded the musical fruits of this challenging period. This quarantine work will influence in a new album as a result of drop within the early Fall of this yr. It guarantees to be a barnburner.
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