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The color of an object depends on both the physics of the object in its environment and the characteristics of the perceiving eye and brain. Physically, objects can be said to have the color of the light leaving their surfaces, which normally depends on the spectrum of the incident illumination and the reflectance properties of the surface, as well as potentially on the angles of illumination and viewing. Some objects not only reflect light, but also transmit light or emit light themselves, which also contributes to the color. A viewer’s perception of the object’s color depends not only on the spectrum of the light leaving its surface, but also on a host of contextual cues, so that color differences between objects can be discerned mostly independent of the lighting spectrum, viewing angle, etc. This effect is known as color constancy.
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By 130 AD, Ptolemy, influenced by Hipparchus and the Babylonians, was using a symbol for 0 within a sexagesimal numeral system otherwise using alphabetic Greek numerals. Because it was used alone, not as just a placeholder, this Hellenistic zero was the first documented use of a true zero in the Old World. In later Byzantine manuscripts of his Syntaxis Mathematica , the Hellenistic zero had morphed into the Greek letter Omicron Another true zero was used in tables alongside Roman numerals by 525 , but as a word, nulla meaning nothing, not as a symbol. When division produced 0 as a remainder, nihil, also meaning nothing, was used. These medieval zeros were used by all future medieval computists . An isolated use of their initial, N, was used in a table of Roman numerals by Bede or a colleague about 725, a true zero symbol.
