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Do you think Fred feels invincible or self-destructive?

ANDIEZ Guitar Cat Don’t Practice Until You Get It Right Practice Until You Can’t Get It Wrong Poster

Renier: As a coach, he has a strong character, and he wants to set a pace for his team and impose a vision. I tried to find the humanity in his actions. I lived with coaches in the ski world for a few weeks and I familiarized myself with the way they spoke and moved. That nourished this character. I wanted to figure out where he came from. Coaches are often former athletes who didn’t succeed so they do harbor frustration that they tend to take out on the kids.  ANDIEZ Guitar Cat Don’t Practice Until You Get It Right Practice Until You Can’t Get It Wrong Poster

What about Lyz’s self-destructive tendencies? Surely, the pressure she feels contributes to her actions?

Favier: You have two factors. The first is the teenage period when you don’t know what’s bad or what’s good, and you test your limits. This hurts, or this is not hurting me, I can do more. When you are a teenager you are looking at your limits in every field. Teenagers self-harm to see what it is like and to see how far they can test their limits. Fred also plays with her in a psychological way, telling her, “You are the one,” or “You are s**t.” He’s changing his behavior and being very contradictory. She is lost and doing everything to please Fred. She is ready to self-harm so he can be happy with her. She no longer knows what constitutes harm and what doesn’t.

Can you talk about filming bodies — both the sexuality and the athleticism?

Favier: The film is about bodies. There is very little dialogue; the bodies themselves talk, and they come closer to each other, or they reject each other, or they tighten up. It’s all about erotic tension of the body, and the physical effort is connected to testing one’s limits. She exerts herself no longer for herself but to meet his desire and do what he wants her to. He takes that away from her, and we no longer know what she wants to do, or what she does because of what he expects from her. I was always so close to Noée, and the camera follows Lyz’s gaze. The film is through her point of view. It is through her that we discover his body, and the camera truly follows her feelings and emotions closely.

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