ANDIEZ Personalized Name Black I Love The Woman I've Become Because I Fought to Become Her Poster

ANDIEZ Personalized Name Black I Love The Woman I’ve Become Because I Fought to Become Her Poster

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ANDIEZ Personalized Name Black I Love The Woman I've Become Because I Fought to Become Her Poster

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ANDIEZ Personalized Name Black I Love The Woman I’ve Become Because I Fought to Become Her Poster

✅ Printed in the USA

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✅ Order at amazon.com

ANDIEZ Personalized Name Black I Love The Woman I’ve Become Because I Fought to Become Her Poster

As the song begins, Simone sets the scene describing fruit hanging from a tree with “blood on the leaves,” alluding to American slavery and lynching. Simultaneously, Kanye raps with intensifying volume as he becomes more impassioned, asserting that he needs more time and doesn’t have the money on him.

“Would be lost without me / We could’ve been somebody,” Kanye explodes with intensity and volume on top of the vocals, erratic percussion, and ear-piercing instrumentals from “Strange Fruit.” If experimentation could be embodied in a song, this would be it.

“Can’t Get Enough” by J. Cole ft. Trey SongzRecommended by: Contributing Writer Obinna UzosikeSample: “Paulette” by Balla et ses Balladins

Jermaine?!Cole?Jermaine Cole?J. Cole? ANDIEZ Personalized Name Black I Love The Woman I’ve Become Because I Fought to Become Her Poster

Like Kendrick Lamar, J. Cole has established himself as one of the greatest rappers to grace the microphone. From his intellectual content to extraordinary rhyming and delivery skills, J. Cole has a sound that has been associated with greatness for the past decade.

Since the beginning of his rap career, J. Cole has produced a multitude of classics on every single album he has ever released — “2014 Forest Hills Drive,” “Cole World: The Sideline Story,” “Born Sinner,” “4 Your Eyez Only,” to name a few. Much like other artists, sampling is a key component of J. Cole’s discography, enabling him to manipulate established sounds and add his own twist using his musical genius and external producing. One of his greatest sampled songs comes from the album “Cole World: The Sideline Story,” “Can’t Get Enough.”

On this track J. Cole samples “Paulette,” a 1980s track produced by a Guinean dance-music orchestra called Balla et ses Balladins. The sample remains relatively unchanged by J. Cole’s producer Brian Kidd, as the pair utilizes the vocals, instrumentals, and audio effects as a backdrop beneath small alterations incorporated by Kidd. “Paulette” is an incredibly fast song and poses a formidable challenge for rappers to rap over. On “Can’t Get Enough,” however, J. Cole rises to the challenge delivering line after line at an incredibly brisk pace.

Cole begins the song with a small buildup, chanting “Cole World!” and then shortly begins to rap feverishly over the beat. Simply put, the beat is beautiful. With hints of Latin and African music, J. Cole raps flawlessly over a beat filled with immaculate flavor and richness. This song is an absolute bop and 10 years later it still resides levels above many of the songs present in today’s hip hop and rap scenes.

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