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The death of Allan caused many major shifts in the family’s material and spiritual circumstances. One result was the greater influence of his mother’s religious beliefs. Maria sought consolation in her faith and in April was admitted as a member of the First Reformed Dutch Church. Herman’s saturation in orthodox Calvinism was surely the most decisive intellectual and spiritual influence of his early life. Two months after his father’s death, Gansevoort entered the cap and fur business. Uncle Peter Gansevoort, a director of the New York State Bank, got Herman a job as clerk for $150 a year (equivalent to $3,800 in 2019). Biographers cite a passage from Redburn when trying to answer what Herman must have felt then: “I had learned to think much and bitterly before my time,” the narrator remarks, adding, “I must not think of those delightful days, before my father became a bankrupt … and we removed from the city; for when I think of those days, something rises up in my throat and almost strangles me”. With Melville, Arvin argues, one has to reckon with “psychology, the tormented psychology, of the decayed patrician.

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After the commercial and critical failure of Pierre, Melville had difficulty finding a publisher for his follow-up novel, Israel Potter. Instead, this narrative of a Revolutionary War veteran was serialized in Putnam’s Monthly Magazine in 1853. From November 1853 to 1856, Melville published fourteen tales and sketches in Putnam’s and Harper’s magazines. In December 1855 he proposed to Dix & Edwards, the new owners of Putnam’s, that they publish a selective collection of the short fiction. The collection, The Piazza Tales, was named after a new introductory story Melville wrote for it, “The Piazza”. It also contained five previously published stories, including “Bartleby, the Scrivener” and “Benito Cereno”. On March 2, 1855, the Melvilles’ fourth child, Frances (Fanny), was born. In this period his book Israel Potter was published.

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