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You don’t stop reading when you get old poster

The English idiomatic expression ‘to set (or put) one’s shoulder to the wheel’ derived at an earlier date from the condition given the carter before he could expect divine help. Denis’ translation apart, however, the link with the proverb “God helps those who help themselves” was slow to be taken up in English sources, even though that wording had emerged by the end of the 17th century. It was not there in Samuel Croxall’s long ‘application’ at the end of his version, in which he stated that to neglect the necessity of self-help is ‘blasphemy’, that it is ‘a great sin for a man to fail in his trade or occupation by running often to prayers’, and that ‘the man who is virtuously and honestly engaged is actually serving God all the while’ A century after the first appearance of his collection, the fables were reused with new commentaries in Aesop’s fables: accompanied by many hundred proverbs & moral maxims suited to the subject of each fable (Dublin 1821). There it is titled “The Farmer and the Carter” and headed with the maxim ‘If you will obtain, you must attempt’. At the end, a Biblical parallel is suggested with ‘The soul of the sluggard desireth and hath nothing’ from the Book of Proverbs (13.4). Later in that century, George Fyler Townsend preferred to end his new translation with the pithy ‘Self-help is the best help’.

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This was in the context of getting the young people of the family to perform at social gatherings. Eventually the fables were learned by heart for such entertainments and afterwards they were adopted by the education system, not least as linguistic models as well. Reinforcing the work were illustrated editions, trade cards issued with chocolateIn England the bulk of children’s writing concentrated on Aesop’s fables rather than La Fontaine’s adaptations. The boundary lines began to be blurred in compilations that mixed Aesop’s fables with those from other sources. The middle section of “Modern Fables” in Robert Dodsley’s Select Fables of Esop and other fabulists (1764) contains many from La Fontaine. These are in prose but Charles Denis’ earlier collection was in verse and several authors writing poems specifically for children in the early 19th century also included versions of La Fontaine. Although there had been earlier complete translations in verse at the start of that century, the most popular was Elizur Wright’s The Fables of La Fontaine, first published in Boston in 1841 with prints by Grandville. This went through several editions, both in the United States and in Britain.

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